TheatreDate.com Reviews

April 23, 2007

Shakespeare and show business

Filed under: Chico, Chico Cabaret, Comedies — Alex Rojas @ 9:32 pm

Shakespeare’s plays, though well written, are full of deception, trickery, and fornication. In other words, they were made for Hollywood.

Back in 1934, Warner Brothers put that thinking to the test. The play “Shakespeare in Hollywood,” now showing at the Chico Cabaret, explores what might have happened on Director Max Rinehart’s set during the filming of the major motion picture, “A Midsummer Night’s Dream.”

The movie features performers like Joe E. Brown, James Cagney and Dick Powell. In the play these actors and many more become involved in a tangled love affair when The Bard’s most infamous fairy’s, Oberon and his right hand “man” Puck, descend magically on the set.

Oberon (played by Cabaret newcomer Gabriel Moss) falls in love with one of Hollywood’s up coming actresses, a young woman named Olivia (played by Kate Ruttenburg).

Director Max Reinhardt (played by Jeff Dickenson) finds himself in need of actors to play the fairies in his film. He stumbles upon Oberon and Puck (played by Keilana Decker) entangled in an argument and casts them on the spot.

Oberon instructs Puck to use a magic flower to draw other suitors away from his beloved Olivia. But Puck, who is wrapped in a vale of newfound stardom, bungles the job. And of course hilarity ensues.

The cast is a comic mix of characters, amusingly arranged by director Sue Ruttenburg. She enjoys plays by writer Ken Ludwig because they often incorporate lager casts and lack a single starring role, she said. When she’s looking for plays to feature at the Cabaret, that’s what she’s looking for.

“It’s a real ensemble cast,” she said.

The actors in the show have a healthy understanding of comic timing and put on a high-energy show. Studio mogul Jack Warner (played by Tony Varicelli) and his male secretary Daryl (played by Conan Duch) keep the laughs coming along with help from Warner’s love interest Lydia (played by Jennifer McAfee) and many others.

Even the extras, which were not written into the play’s script but are an invention of director Ruttenburg’s imagination, create a sense of action on the set and provide a healthy heap of laughs.

But the creative culprit who steals all the show’s comic currency is undoubtedly Decker. Playing Puck, she steals every scene with a mix of physical comedy, funny voices and a healthy blend of theatric “magic.”

Director Ruttenburg, has put together a must see comedy show, but she admits she had a lot of help from the cast.

“I was just really lucky,” she said.

And so is everyone who catches this show.

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1 Comment »

  1. Shakespeare in Hollywood is definitely a comedic romp from start to finish, poking fun at the superficiality of the movie industry. But, it also takes aim at the very real issue of the Hays Act which forced censorship into this creative medium. Playwright Ken Ludwig writes intelligently, frequently using the cadence of Shakespeare and cleverly peppering the dialogue with lines from many of the Bard’s famous plays. And, the best part is, you don’t have to know anything about Shakespeare to enjoy this show! Our ENTIRE CAST is brilliant! Thanks for coming to our glamorous Opening Night!

    Comment by Sue Ruttenburg — April 24, 2007 @ 8:29 pm

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